Thursday, September 27, 2012

Lois

Here's another poem I'm working on:


Lois

There’s Lois by the coffee counter
with her Papillon, Pepe.
She is telling Malcom,
“papillon means butterfly.”
Malcom nods, thinking
about his chef salad with avocado.
Lois strokes Pepe’s silky ears
for which he can thank his breed --
Papillon: butterfly.
Lois flits from counter to shelf
gathering groceries one at a time,
Pepe under her wing –
gelato, a croissant, one red bell pepper.
Though slower now, her flight
suggests weightlessness,
blinking and smiling
around the deli.
Her eyeglasses, pink-rimmed,
are a child’s drawing –
two giant circles
swallow half her face.
Behind the glass her eyes blink
large and wide,
and behind her smile
a whisper-voice informs,
“Papillon, it means butterfly in French.”

Monday, September 24, 2012

Robin's Poem


Geese

When you grow up with neither the joy nor the burden of being some specific man’s
 child but instead your father
—faceless, nameless—but still in need of being called something, thus father,
is an occasional thought
and the memory of other occasional thoughts, not a man, not even a feeling really,
            unless not
knowing what to feel
can be counted as a feeling, just the sudden event of him, not him the person, but
 rather his absence and whatever it is
that brings it to your mind, say, a movie 
or a conversation with a friend whose
    father just died
or all the old anger at your mother for never talking about the man, the huge chasm
            her silence nurtured…so much you’ll never know
about her
because she never gave you permission to ask about him. This occurs
            to you as you sit
looking
out your living room window at a flock of geese, thinking about your father,
            although—see above—not really.
The geese arrived this morning. Is it still true what you learned as a kid? Is it somehow
             programmed into their brains,
this particular place to eat, shit and make enough noise to wake you?  Or was this simply
 a convenient spot
to land, touchdown, figure out what next? And when one of your neighbors buzzes someone
 into the building and the geese
all look up at once, why is that so unnerving? Dozens of little heads turning towards
            you suddenly, the dark lines
of their long necks slicing through the air above their fat, awkward bodies. It’s one
of those rare moments that reminds
you
of how strange the world is, that makes you wonder what geese are…or trees,
the crab apples staining the pavement,
the river in the distance running while the ground stands still. So much you take
           
for granted, this planet, its oddness,
its craziness, its constant revolution around a ball of fire for goodness sake, one
  of how many planets
in how many galaxies…infinite space brimming with hundreds of millions
            of voices whispering,
Father, where are you? Mama, why won’t you talk to me? And then a question
            that ushers you back
to the present, Where do geese go when they die? Because there are dozens
            of geese out there everyday,
year after year, yet you’ve never seen a dead goose. Do other animals eat them, carry
 them off to some secret place?
And why now are they suddenly turning in mass and running towards the river’s edge
            where they all stop
and flap their wings and make an explosion of geese sounds?  Should you run, too?
            Where?

Wednesday, September 19, 2012

Julia's Poem

I am driving away from it all
on the fumes
of a page cracked diary
crumbling in sorrow
its lock encrusted in rust
like the anchor 
we all hold on to
life's amalgam of memory
is what threads us together
these plastic lanyards of thought
one uniform stitch
knots life, blood, spirit, memory
to unfurl its architectural essence
 
I have been here before
in a wall of silence
the only sound
of a small waterfall
joining a river
as a sparkling flow catches
between the rocks
rose real perfume
like the oil I wore
when we were free
years later
that is your memory
mine returns in these petals
like a frail notebook of pages
lost in the middle of a desert
dense petals like resin
suspended in rain
each paetal overlaps
the vulnerability of scent, sound, sight
now we are together
as each petal unfurls
to come closer to truth
 
who were you?
amongst the tea roses
in life's intricate tapestry
vulnerable, vicious, venom
a new stitch unravels
mystery's hand
 
who were you?
sweet, sour, salty
all the eroded thoughts
like potholes
of the day
composted bitterweet earth
in between lies like stories
dissipated in a trail of cigar smoke
 
I encapsulated all the precious tokens
in a box of cubans
in earth's aroma
I carefully navigated my life
up until now
 
what is a road
but an umbilical chord
of memory
cut and tied at each stop sign
 
I retrun to these places
to retie the threads
and to tell myself
I am still here
the worn signs
the paved roads
the tree no longer
the kudzo approaches every year
a green entangled zoo
 
eventually all neighborhoods
turn to plastic
while I burn old signs
in the backyard
smoke like pine needles
ignites my dreams

Tuesday, September 18, 2012


Taking a course for growth this fall. Here's the result of one of the first assignments.

TRY THIS 2.5
Write this poem: The first line consists of an abstraction, plus a verb, plus a place. 
The second line describes attire. The third line summarizes an action. Let it flow;
 don’t worry too much about making sense.

Banality sips pinky-up in the drawing room,
pip pip cherio for a bow tie;
dirty martini floating midair,
promising pickled liver.

Saturday, September 8, 2012

Hello from Ann Arbor!

Dearest Anna, Carrie and Julia,

Welcome, welcome, welcome to our blog.  I thought I'd have time during the week to write a nice paragraph or two about how much I miss our class and what a profound effect Provincetown had on me, but, alas, life interfered. But at the very least, I wanted to give you a few pointers on Blogger and also throw out some ideas/suggestions RE our workshop.

GENERAL INSTRUCTIONS FOR HOW TO USE BLOGGER

The main thing to remember is to always "Post" your poems, but "Comment" on other's poems.

The "Post" button is on the top right of the homepage. When you click it, you'll be taken to a dialog box where you can either type or cut/paste your poem. Also notice the box at the top where you type in a title. PLEASE INCLUDE YOUR NAME with your title so we always know whose poem is whose.

All the 'posts titles' show up as links on the right side of the home page. When you click a particular "post" you'll be taken to the post/poem. And at the end of each post is a place for you to write your "Comments" about the poem. For instance, at the end of this post, you should all write a "comment" in response to my suggestions, etc.

Feel free to write "posts" to the group about general stuff, too, by the way. Just try to give it a descriptive title so that if we forget, say, the name of the great movie you just saw, it'll be easy to find just by looking at the list of 'posts'.

And, by the way, you can always go in and edit your "Posts" and your "Comments" (I think you can edit your comments....hmmm).

WORKSHOP STUFF

Re our workshop in general, this is what I'm envisioning: we "post" our poems by the end of the weekend so, say, by the end of the day Sunday, September 16th and then we have the entire month to "comment" on each other's work...as well as to "comment" on each other's comments. If you want us to look at specific things in your poem be sure to write your own "comment" after you post it with the specifics. Also, if you feel like getting technical (at least in your comments on my work) please do. In my mind this is where we pass on the things we've learned over the years as well as where those of us who don't have a firm grasp of, say, what assonance is, can not only start to master the terminology, but the ideas behind it.

But that's what I'm envisioning. What do you think?

Meanwhile, I can only think of one rule that might be helpful and that is, please don't edit your poem once you've posted it unless it's to correct a typo. Because often people may have already read and started critiquing the poem, so then to come back and find that the poem is totally different can be frustrating. And by the way, notice that you can 'save' a poem on the blog, but not 'publish' it. You can also 'preview' how it looks without anyone else seeing it.

The above suggestion also leads to something that we should probably talk about: revisions. My suggestion is that we avoid posting first drafts...unless of course it's one of those poems that's like a gift from the gods. I'm suggesting this because reading the same poem over and over can start to be a little tedious, especially if there's only been minor changes. Not that we shouldn't 'post' revised poems, I think that's important. Not just for the writer, but for the rest of us RE seeing how poems change. But it might be good to wait at least a month so that we can come back to the poem fresh.

But, maybe I'm totally wrong about this; what do you all think?

MISC. STUFF

I think we can add a photo to the homepage of the blog so if anyone has a photo they'd like to add, please do. That is, I tried to make you all owners; let me know if that's not the case. And hopefully I also have it set up so that only we can post and comment. Not sure if others can see our posts and comments, however. That is, I did a google search for Provincetown Poets and the blog didn't show up, at least not in the first batch of results, but I have no idea how private blogs are.

OK, I'm off to do my errands. Big hugs to all of you--Robin